Superb Solo Flute CD by leading American flautist Nina Assimakopoulos.
Features David F Golightly's "Three Pan Love Songs"

Contents of CD.

1. Syrinx, Claude Debussy
2. The Extatic Shepherd, Cyril Scott
3. Pan's Lament, Ary Van Leeuwen
4. Un Jouer de Flute BERCE LES RUINES, Francis Poulenc
5. Hymn of Pan, Charles O Delaney
6. Chanson de Pan, Roger Bourdin
7. Pan Blesse, Roger Bourdin
8. The Wood Nymph of Nonacris, Benjamin Boone
9. Syrinx, Too Mark Hijleh
10. Flute Flight, Binnette Lipper
11. Pan's Pastoral for a Shepherd, Margarita Zelenaia
12. Pan(ic), Gene Pritsker
13. Amphitrite Nymph of the Sea, David Golightly
14. Euphrosyne Grace of Mirth, David Golightly
15. Maia Daughter of Atlas, David Golightly
16. Le Reve de Pan, Pierre Thilloy
17. Woodland Sounds, Dave Sluberski


Reviews

"Assimakopoulos has not just perfect technique and total breath control but supreme intelligent, elegant phrasing; broad tone color; lyricism; a full range of dynamic expression; and above all STYLE that paints the differences from Bach to Bartok…" - American Record Guide French (CD, Nina Assimakopoulos Live at the Sheldon) 2001

" A superb musician who plays with musical understanding, brilliant technique, and great intellect."
- Luba Edlina, pianist Borodin Trio

"A mature and brilliant artist who has a sovereign and superior command of her instrument." 
- Paul Meisen, Germany



No 1 Amphitrite.No 2 EuphrosynePrelude No 3 Maia

Masterworks of the New Era - Volume Nine (ERM6805)

Kiev Philharmonic

Iryna Dats, soprano  Vasyl Holyak, clarinet 2 CD SET

The Ninth volume in the landmark, award-winning series includes the musicof Diehl, Feldsher, Mauldin, Kirtley, Johnson, Leung & Golightly. Double CD set features the incomparable Kiev Philharmonic.

A favorite on radio with tremendous Broadcast play and coverage.

Contents
Tony K.T. Leung IN THE BEGINNING (I)
Tony K.T. Leung IN THE BEGINNING (II)
Tony K.T. Leung IN THE BEGINNING (III)
Tony K.T. Leung IN THE BEGINNING (IV)
Tony K.T. Leung IN THE BEGINNING (V)
Tony K.T. Leung IN THE BEGINNING (VI)
Tony K.T. Leung IN THE BEGINNING (VII)
Michael Mauldin FAJADA BUTTE: AN EPIPHANY
David F. Golightly CONCERTO FOR STRINGS (I)
David F. Golightly CONCERTO FOR STRINGS (II)
David F. Golightly CONCERTO FOR STRINGS (III)

Disc Two:

David Kirtley LEAVES FALLING FROM THE HOLY TREE
Paul Johnson SPRING IN WAR-TIME
Paula Diehl CEREMONY (I)
Paula Diehl CEREMONY (II)
Paula Diehl CEREMONY (III)
Paula Diehl CEREMONY (IV)
Paula Diehl CEREMONY (V)
Paula Diehl CEREMONY (VI)
Howard Feldsher CONCERTO FOR CLARINET & STRINGS (I)
Howard Feldsher CONCERTO FOR CLARINET & STRINGS (II)
Howard Feldsher CONCERTO FOR CLARINET & STRINGS (III)


Concerto for Strings Movement OneConcerto for Strings Movement Two Concerto for Strings Movement Three

Flute Impressions.

Reviews

"Assimakopoulos has not just perfect technique and total breath control but supreme intelligent, elegant phrasing; broad tone color; lyricism; a full range of dynamic expression; and above all style that paints the differences from Bach to Bartok."
Gil French, American Record Guide.

Contents

1.  Inspiration, David Baker


2. Humoresque, Dvorak


3. Bossa Merengova,

M. Mower


4. Amazing Grace, Arr. Assimakopoulos


5. Pan and the Birds, Mouquet


6. Reverie, Debussy


7. The Swan, Saint-saens


8. Nocturne, Chopin


9. Morceau Du Concours, Faure


10. Etude En Form De Habanera, Ravel


11. Flight of the Bumblebee, Korsakov


12. Carnival of Venice, Briccialdi


HumoresquePan and the BirdsHabanera

Symphony No 1 The Middlesbrough Symphony

The first symphony was composed for, and is dedicated to Mr Steve Gibson, the players and personnel of Middlesbrough Football Club, and the Middlesbrough community. It represents a catalyst for my musical output and has had major worldwide reviews. I composed and dedicated the work because I believed in the ethos and chairman's vision for his club and community. The club helped with the PR for the CD but I arranged and paid for the recording. It has become a collectors item for both fans of classical music and football. Cds have been sold throughout the world and always the reaction to the music has been very positive.

Reviews
 
Penguin Guild to CDs

It may seem extraordinary, but David Golightly's Symphony No 1, written over a period of four years, was commissioned and dedicated to Middlesbrough Football Team and its Chairman, Steve Gibson. Essentially programmatic, it is effectively wrought with a first movement founded on a rhythmic ostinato (Resoluto marcato) "for those who strive, knock hard on the door of fate", the scherzo reflecting the lively optimism of visits to Wembley, the eloquent and imaginatively scored slow movement reflecting the pain of defeat in an idiom that reminded the writer a little of the spacious string writing of Howard Hanson. The finale is a jaunty populist march, exotically scored with the two-part structure reflecting the two halves of the game. The orchestral fanfares depict the team scoring. It is a happy extrovert inspiration and receives a fine performance under Gavin Sutherland in Prague and a full-blooded recording. The three Seascapes further demonstrate Golightly's vivid orchestral skill, using well-known folk-themes, like Shenandoah. The disc is available from Modrana Music Publishers Limited.
Penguin Mr Ivan March.

Jeff Joneikis Records International

Dedicated to Steve Gibson and the Players at Middlesbrough Football Club. DAVID GOLIGHTLY: Symphony No. 1, Three Sea Scapes. Golightly's symphony is a big, ostinato-driven, muscular piece, tonal and constructed out of the musical equivalent of big, solid blocks, or painted in broad brush-strokes of primary colors. It seems to be the proof in music of Grainger's words to the effect that the English are 'passionless about everything except football' - because it is dedicated to a football club (Middlesbrough) and its manager, and extrapolates from these men of sport and mud to hypothetical Promethean strivers, builders and visionaries everywhere. Whether or not you are as passionate as Mr. Golightly about soccer, the symphony is one of those big-boned, tonal, neo-romantic pieces which can be relied upon to get the blood pumping a little faster. The Seascapes are appealing orchestral fantasias in familiar style, also bold and colorful. City of Prague Philharmonic Orchestra; Gavin Sutherland. Reviewer Jeff Joneikis Records International

Hubert Culot The British Music Society

David Golightly: Symphony No 1: Three Sea-Scapes. City of Prague PO/Gavin Sutherland. Reviewer Hubert Culot The British Music Society Some 45 minutes long, the Symphony is very accessible in idiom, a "Classic FM work",no more "difficult" than say George Lloyd or William Alwyn (Golightly, like Alwyn, has composed film music), with traces of Shostakovich;s influence. It is well argued, though the preludial first movement might be slightly shorter with advantage, and finely scored. The performance by the Prague players under Sutherland;s assured direction is excellent. The filler is attractive, too: a lightish suite, each movement based on a different sea-shanty: Fire Down Below, Shenandoah and Rio Grande

Arthur Butterworth Philharmonic Magazine

David Golightly Symphony no 1 Middlesbrough Football Club Energetic sports and the high art might seem to be completely opposite expressions of human endeavour; one being concerned with sheer physical exuberance and even a macho triumphalism, the other with matters of the spirit: the intellect and the communication of subtle emotional experiences. Perhaps both are different sides of the same coin of human self-expression. David Golightly, former student of Huddersfield University Music Department  in the days when it was a more modest Polytechnic  was even then already a prolific composer, burgeoning with imaginative ideas. Now, years later, his imagination, no less his technique as a composer has matured. There are perhaps not many specifically avowed instances of sport directly inspiring serious music: certainly not symphonic music on the scale of this work dedicated to Golightly's admired Middlesbrough Football Club and its manager, Steve Gibson. The nearest that immediately comes to mind must surely be Honegger's Rugby of 1928. Many musicians and 'arty' people who might not at first sight be thought to have much interest in macho sports, do follow the fortunes of their favourite team, whether it be football, cricket, motor sport or whatever else. However, having declared a committed support of his team, and been hearteningly inspired by what it stands for, the music itself exists firmly on its own terms: it is after all, a pure and abstract symphonic creation. In this it succeeds most convincingly. The sleeve notes hint at Golightly's Russian connections, and this is aptly summarised by a Russian commentator, Alexander Govorov, who declares that the composer is the 'Englishman with a Russian soul'. It could well be that Golightly will come to be regarded as an English Shostakovich; there are numerous stylistic similarities to the Russian model: those driving motor rhythms, and characteristic, slender wisps of solo themes; and above all the relentless on-going energy, so often dark-toned and uncompromising. Perhaps its greatest asset is its most assured and brilliant sense of orchestral colour. As with Russian muse in general, this symphony is apt to be expansive in length, and it just could be thought that some of the material, despite its fascinating orchestration, might, in a purely musical-structural sense, benefit from some more subtle and varied thematic development rather than the particularly rhythmic  repetition it tends to display. But there is no mistaking the fact that this is indeed an arresting and captivating symphonic piece of music; immediately approachable, its message clear and distinct. Arthur Butterworth Philharmonic Magazine December 2000

Adrian Smith Classical Music Web Site

DAVID GOLIGHTLY Symphony no 1; Three Sea Scapes City of Prague Philharmonic Orchestra (conducted by Gavin Sutherland) (recorded 28-30 August, 2000) ASC Records CS CD38 [54:41] Though he has composed extensively for theatre and film in this country, David Golightly's music is better known abroad. In particular he has strong links with St Petersburg, for whose Rouss-land Soglasie Choir he wrote The St Petersburg Mass, which was received in the city to great acclaim. Indeed the choir's conductor went so far as to describe him as 'The Englishman with a Russian soul'. His Piano Sonata recently received its first performance at New York's Carnegie Hall, and will be heard later this month in Oxford. From the age of nine, he has been an ardent supporter of Middlesbrough FC, and this symphony must be regarded as being the first-ever which is not only dedicated to a football club and its chairman but an orchestral portrait of the game. In fact, the work's programme is intensely personal. 'My symphony was composed as an attempt to chart in musical terms the struggles, successes and failures which I have encountered on life's journey', says the composer, and in it he has also sought to encapsulate the fluctuating fortunes of his team. Golightly possesses a distinctive musical voice  tonal in idiom, by turns gritty and lyrical in style A feature of the first three movements is their enigmatic, throwaway endings. Richly-scored and impassioned though it is, the slow movement suggests that the composer is striving to rein in his romantic inclinations. But any inhibitions he may have are cast to the winds in the turbulent finale  a portrait of an actual football match and the serene C major ending is utterly captivating. The disc is completed by Three Sea Scapes  masterly arrangements of three shanties. Golightly is certainly a composer to watch, and this symphony is warmly recommended. Performance *** Sound *** Reviewer: Adrian Smith Classical Music Web Site

Contents

Movement One "Resoluto Marcato"
"For those who strive, knock hard on the door of fate"
 Movement Two "Scherzando Allegro Leggiero Delicato"
"Follow the path of the visionaries, theirs is the way of the light"
Movement Three "Espressivo Sostenuto"
"There are no defeats, only gifts of wisdom"
Movement Four "Gioioso Maestoso";
"Seek ye the grail of life"
Three Sea Scapes – Sea Shanties arranged David F Golightly
"Fire Down Below"
"Shenandoah"
"Rio Grande"



Symphony No 1 Movement One Symphony No Movement TwoSymphony No 1 Movement ThreeSymphony No  Movement Four

Original piano compositions by David Golightly, Jeremy Pike, Joanna Treasure, Margaret Wegener, Colin Bayliss. Performed by Jonathan Middleton.

Contents.
Three Shadow Portraits                             David F Golightly
Three Pieces For Piano                             Jeremy Pike
Piano-song                                                Joanna Treasure
Three Preludes Op. 49 for Piano              Stuart Scott
Introduction, Fantasia & Passacaglia       MargaretWegener
Three Impressionist Sketches For Piano Colin Bayliss

Shadow Portrait No 1Shadow Portrait No 2Shadow Portrait No 3

Original Compositions  for Clarinet by David Golightly David Forshaw Jeremy Pike John Reeman Kevin Malone Geoffry Kimpton and Stephen Plews  recorded by Roger Heaton

Contents of CD

Albireo                                                    David Forshaw
Closed Circuit                                         Jeremy Pike
Plaint                                                       John Reeman
The Last Memory                                   Kevin Malone
Serenade for clarinet and piano              Geoffrey Kimpton
Moods                                                     David F Golightly
Sketch For Clarinet And Piano               Stephen Plews

Reviews

Moods for Solo Clarinet. Review Contemporary British Clarinet Music CD

Moods for Solo Clarinet David F Golightly Modrana Music Publishers Ltd The most substantial and ambitious piece in this collection is undoubtedly David F Golightly's Moods (1980) for solo clarinet, written for Roger Heaton who plays this rather difficult and technically demanding piece with consummate ease and assured technique. Golightly relies on a number of modern techniques, such as quarter tones, multiphonics, glissandi, breath tones and the like without ever giving the impression of mere experiment. Quite the contrary, each mood is vividly depicted with imagination and poetical insight. Obviously, to my ears at least, this is a major addition to the repertoire.

Reviewer Hubert Culot The British Music Society

 
IsolationJovialitiesAngerLonlinessDesolation

Original Piano compositions by David Golightly, Thomas Pitfield, David Forshaw, John Williamson, Alan Rawsthorne,Chris Beardsley, David Ellis
Performed and recorded by John McCabe

Contents

Prelude, Minuet and Reel                            Thomas Pitfield
Four Piano Pieces After Charles Messier    David Forshaw
Three Palindromic Preludes For Piano        John R. Williamson
Diptych No. 1 (Stars in a Dark Night)         Christopher Beardsley
Theme and Four Studies                              Alan Rawsthorne                       
Piano Sonata No. 1                                      David Ellis
Piano Sonata No. 1                                      David F Golightly 


Allegro VolanteEspressivo DelicatoAllegro Scherzando

Product out of stock at the moment

This CD is perhaps unique in the history of vocal and choral music in that it combines a Russian Male voice choir with a English composer to sing Russian and American folk songs. Where else in the world will you be able to buy a recording of one of the best Russian choirs singing a impossible difficult and stunning arrangement of Shenandoah or hear their gentle approach to a inventive setting of The Streets of Laredo. The Rites of Passage compositions are beautiful moving settings of six Pushkin poems in English. From the romanticism of the Flower to the saddness of the Elegy there is a depth and expanse of emotion both in the singing and the settings. The mood is then lightened by the evocative setting of Russian folk tunes. Humour and tragedy abound and are combined with singing of impossible statue and emotion. This really is a unique CD recording. The only one of its kind in the world.

The Choral Music of David F Golightly

Performed by : The Soglasie Male Voice Choir of St Petersburg

Conductor: Alexander Govorov

RITES OF PASSAGE        Music David F Golightly Words A Pushkin

LIFE'S CARRIAGE
THE BIRD
THE SINGER
THE FLOWER
OMENS
ELEGY

FRONTIERS Music arrangements David F Golightly  Words Traditional

BUFFALO SKINNERS
CHISHOLM TRAIL
SHENANDOAH
THE STREETS OF LAREDO
JOHN HARDY
RUSSIAN FOLK MUSIC Arrangements Alexander Govorov Soglasie Choir
Words Traditional

ALONG THE PITERSKAYA STREET
THE BELL IS JINGLING MONOTONOUSLY
THE SNOWDRIFTS MELT
OH YOU ARE SO BROAD THE STEPPE
THE SONG OF THE VOLGA HARDWORKERS
ALONG THE STREET THE SNOW IS COMING
THE STEPPE IS ALL AROUND
THE FOG HAS FALLEN
THE GNAT
WHAT'S YOUR SONG ABOUT YOU GUIDED BEE?
THE BALLAD OF THE ROBBERS
BARYNIA. Barynia (Lady)
THOSE EVENING BELLS
KALINKA

Reviews.

The English composer David Golightly studied music in Huddersfield with Richard Steinitz. He was born in County Durham and now lives in the North-East. A career as a freelance commercial orchestrator included making the arrangements used by the Latvian soprano Inessa Galante in her Campion CDs. His music is well worth watching out for as was well and truly announced some five years ago with the issue of his First Symphony (see review). This is the second all-Golightly disc. It concentrates on his music for male voice chorus topped up with other people's arrangements of fourteen Russian folksongs. Golightly's two groups of songs explore the poignant melancholy of Alexander Pushkin in Rites of Passage. He is here in the same territory as two twentieth century Russian masters who have set Pushkin for chorus: Georgy Sviridov and Boris Tchaikovsky. As for Golightly's other work featured here not all that long ago it would have been unthinkable for a Russian choir to have recorded or even sung a sequence of American folksongs (mostly of 'cowboy' origin). Frontiers includes such Western favourites as The Chisholm Trail, Shenandoah and The Streets of Laredo - songs also used to glowing effect in Roy Harris's unbuttoned Symphony No. 4 Folksong recently recorded by Marin Alsop for Naxos. In the two Golightly sequences the stride and shaping of each song apart from Shenandoah is aided and enriched by the assertively recorded piano of Dmitri Tepliakov. Golightly's style is exuberant and forward, emotional and exciting. He knows the human voice well and I suspect was delighted to be able to write for a fully professional choir, as here. In fact some of this reminded me of another British composer, the late Geoffrey Bush. The Pushkin songs, setting translations into English by Henry Jones, are sung and recorded with a warmth the emotional and calorific value of which will thaw the coldest heart and hands. The choir must have been very close up to the microphones which caused my headphones some stress in several fortissimo passages. There is a striking gauntness and iron-bell stoniness about the final song Elegy. The accent of the soloist is quite thick in The Singer so the words cannot always be picked out. You hear the same thing in the five American folk songs of Frontiers. Still it compares nicely with the sometimes cheesy collegiate brilliance of Stokowski's recording of the Roy Harris Folksong symphony (was the choir any better on the Abravanel EMI Angel recording - it never made it to CD). These are settings with blood coursing through the veins. The choir make a specially telling effect in Shenandoah and they do so without succumbing to the many invitations to sentimentality. Superb stuff ... and my do you hear the Russian bass resonance! The pace of The Streets of Laredo is surprisingly leisurely when compared with the Roy Harris - much more elegiac but with a skip in the step. It works well! The setting of John Hardy is vehemently and grippingly lively. We now leave Golightly for some arrangements of Russian folksongs by Alexander Sveshnikov - a name well known as the great conductor of the reference Melodiya recording of Rachmaninov's Vespers - and by Govorov, Bogdanov, Schwartz and Nikitin. These are shot through with vibrancy. The boozy humour and flighty lightheartedness is carried off to perfection in the triumphantly virtuosic Along the Piterskaya Street with much interplay between the choir and bass Gennadi Martemianov. The melancholy dreaminess of the suave The Bell is Jingling (surely that should be ringing) monotonously makes an unconscious connection with Negro spirituals. The echoes of Russian orthodox chant can be heard in full glory in Oh you are so broad the steppe. The snowdrifts melt is driven by the fast clip-clop of the woodblock. Familiar friends include the Song of the Volga boatmen here rendered as Volga hardworkers. Typically Russian is the lugubrious The steppe is all around with basso profundo Vladimir Chechnev taking the solo. The masculine roughened precision of What's your song about you gilded bee is well worth sampling. The floated gold of Igor Vozny's bel canto tenor is buoyantly sustained above the slow-rung bell evocations of Those evening bells. Kalinka, with its slowings and accelerations, is familiar and a pleasure to hear again. The words for the Golightly songs are printed in full. Each of the folksongs is described in the booklet through a synopsis rather than a full text. They are sung in Russian. All the others on this CD are sung in English. The print may be on the small side but the words of all the songs are printed in the booklet. A pity though that the playing times of each piece and of the whole disc is not given anywhere. The first disc which offered the First Symphony, a work which shows the influence of Shostakovich, was stunningly well-recorded and a CD of the Second Symphony is much anticipated. I hope that we will not have to wait long. Glorious Slav male voices compromised somewhat by distortion when the signal is under pressure of this typically intense Russian singing. Rob Barnett Music web.

The Music of David Golightly, by Alexander Govorov David Golightly's Choral music was the first Western composer's music to become part of Soglasie's repertoire, following the Choir's first meeting with the composer in March 1993. I was greatly interested in his work from the first, particularly as I was familiar with the English style of Elgar, Vaughan Williams, Britten and Tippett. David Golightly's work is indisputably English, but his music also reveals an Englishman with a Russian Soul. As we rehearsed "Rites of Passage" we were inspired. Working our way towards a better understanding of the choral pieces, we discovered both the composer's love for Pushkin's poetry and the deep sincerity of his talent. The ideas and images of Pushkin's words expressed themselves through the composer's language of music. The great Russian composer, Mussorgsky, said, "Of greatest importance for a composer in creating music is the search for truth". It is this truth we hear when we perform David Golightly's music. Our further association with this talented English composer developed into a large scale co-operation, "The St Petersburg Mass ", which was composed for and commissioned by the Soglasie Choir. The premiere of this work in St Petersburg in May 1994 was a major event in the musical life of the city and many important artists and composers attended this unique occasion. Professor Mussin, who is head of Conducting at the St Petersburg Conservatoire, commented that it was "Music of the Heart". and it received a ten-minute standing ovation from an enthusiastic audience.


Life's CarriageThe BirdThe SingerThe FlowerOmensElegy
The Buffalo SkinnersChisholm TrailShanendoarStreets of LaradoJohn Hardy

Baroque Music
Arrangements by Golightly, Hazell, Ingman, Parfrey, Brinums

Contents
Mio caro bene! (Rodelinda) -                      HANDEL - arr. C.Hazell
Se tu m'ami -                                               PERGOLESI - arr. D. F. Golightly
Danza, danza, fanciulia gentile -                DURANTE - arr. D.F. Golightly
Amarilli mia bella —                                 CACCINI — arr. N. Ingman
Lascia ch'io pianga (Rinaldo)                    HANDEL - arr. C. Hazell
Che flero momento (Orfec ed Euridice) - GLUCK - arr. D. F. Golightly
Lasciatemi morire! (L'Arianna) -             MONTEVERDI - arr. R. Parfrey
Sen corre l'agnelietta -                              SARRI arr. D. F. Golightly
Caro mio ben -                                         GIORDANI - arr. C. Hazell
Tre giorno son che Nina -                        ClAMPI arr. R. Parfrey
Cujus animam gementem (Stabat Mater) - PERGOLESI arr. D. F. Golightly
Vidit suum dulcem Natum (Stabat Mater) - PERGOLESI - arr. D. F. Golightly
Ombra mai  (Largo - Serse, "Xerxes") -  HANDEL - arr. C. Hazell
Pur dicesti, o bocca bella -                        LOTTI - arr. D.F. Golightly
Nel cor più non mi sento (La Molinara) - PAISELLO - arr. D. F. Golightly
Solo per vol (Solo Cantata: Pastorella vags bella) - HANDEL - arr. G. Brinums
Plaisir d'amour -                                        MARTINI - arr C. Hazell
Per la gloria d'adoravi (Griselda) -            BONONCINI - arr. R. Parfrey
Tornami a vagheggiar                               (Alcina) - HANDEL
Ave Maria -                                               CACCINI - arr. G. Brinums


Danza DanzaNel cor più non mi sentoPur dicesti, o bocca bella

"The Wagon of Life". Songs of Nature, Life and Love in Time and Place.
Features Golightly's "Songs of the Clifftop" Performed by Mark Rowlinson (Baritone)
Peter Lawson (Piano)
Contents

The Wagon of Life (Pushkin / Alice and Thomas Pitfield)
By the Dee at Night (Thomas Pitfield
September Lovers (Thomas Pitfield)
Alderley (Thomas Pitfield)           Stuart Scott
Gawsworth (Thomas Pitfield)      Stuart Scott
Fall, Leaves, Fall (Emily Bronte) Stuart Scott
Night Clouds (Amy Lowell)         Stuart Scott
Noah (Siegfried Sassoon)             Geoffry Kimpton
Faintheart in a Railway Station (Thomas Hardy) Geoffry Kimpton
The Poor Man's Pig (Edmund Blunden) Geoffry Kimpton
Tango [Do You Remember? (Wilfrid Samuel Treasure) Joanne Treasure
I Saw the Girl (John Clare)                  Joanne Treasure
The Recruit (A F. Housman)                  John R Williamson
White in the Moon (A F. Housman)       John R Williamson
Think No More, Lad (A F. Housman)    John R Williamson
The Sunlight on the Garden (Louis MacNiece) Stephen Wilkinson
The Garden (Andrew Marvell)                          Stephen Wilkinson                        
Now Sleeps the Crimson Petal (Alfred Lord Tennyson) Philip Wood
My Song Shall be of Mercy and Judgement (Psalm 101)Sasha Johnson Manning
The Lord is King (Psalm 93)    Sasha Johnson Manning
Dying Day (Philip Larkin)       Kevin George Brown
Description of Spring (Henry Howard, Earl of Surrey)Kevin George Brown
Songs of the Cliff Top  David F Golightly
Sea Bird (Steve Hobson) David F Golightly
After the Kill (Steve Hobson) David F Golightly
Puffin (Steve Hobson) David F Golightly
The Owl (Kathleen Collier) David Forshaw
Whale Song (Kathleen Collier) David Forshaw
Horse (Kathleen Collier) David Forshaw

Sea BirdAfter the KillPuffin